FetSounds has very quickly established itself as a full-service recording, performing and documentation space in the few months it’s been in San Marcos. Many bands have utilized the space for album release parties and special events, including local favorites Rusty Dusty. In collaboration with Possum Trot Studios, the band decided to use the performance space to document the first official live performance of their recent release Cleanse. With a handful of cameras, some dramatic lights and their deeply diverse and moving sounds, Rusty Dusty charged through their new project much to the delight of those in attendance. If you’ve not had a chance to sit down and listen to Cleanse yet, this might be a great way to get familiar with the project. Check out the video, leave a like and a comment, share it around, and find Cleanse on your favorite streaming site or store front to support!
I try my best to keep an eye on what my creative peers are doing, especially when they step outside of what they’re traditionally known for, and I always enjoy it when I see someone start to carve a second or third path for themselves. Click-Clack has been talented since the day I met him, but over the years I’ve gotten to see aspects of his personality shine that I respect deeply. As a native Austinite like myself, I know that he cares deeply about the scene and how it’s both represented and presented to the public at large, and it’s brought the influencer vibes out of him in the form of strongly curated and frequently updated playlists, complete with customized artistic thumbnails. For Austin Rap Current, the roster of Austin-based talent is deep and diverse, including a handful of folks who have received recent shine on this blog. Check out the playlist, give it a follow, and keep an eye out for other playlists that Click-Clack curates.
I’ll let BLXPLTN tell you about ZZEERRO (Dying for You to Get Rich) :
‘Punk has always been a warning about how much worse things could get, and now? We’re there – and Austin‘s BLXPLTN are weaponizing their visceral, needle-burying proto-rock bursts to deliver the huge, nasty truth that the unthinkable is the new normal. They’ve soaked in the history and sonics of their chosen genre, echoing the political and musical bent of the likes of Dead Kennedys, Bad Brains, and Fear. But as acolytes of genre-benders like Ministry and Big Black, the need to kill convention poisons the blood of TaSzlin Rico Muerte and Jeremy Wolfe Kivett. In place of duct-taped guitars and banged-up kits, the two push drum machines and synths to within inches of their lives. ZZEERRO (Dying for You to Get Rich) is the latest case of what Fader calls “working-stiff punk… that makes me feel like punching someone in the face.”
There’s a live-wire immediacy to BLXPLTN because they tend to assemble these Molotov cocktails the second they get their hands on some gasoline. One morning, TaSzlin woke up and saw something terrible on the news. What was it? Take your pick of all the horrifying things we now choke down on the regular. He went into the studio and wrote this, the PhlegmTV LP’s first single. The two kick out an unforgiving feedback squall, a primal beating with megaphone vocals chanting anti-mantras, as if from a Unabomber shack behind a burned-out factory. But when the chorus hits, they manage to gouge out some serious melody amidst the chaos. When the nearly unfazeable Noisey tells you, “BLXPLTN are going to burn down the stage, the crowd, and your house,” pay attention: this tune is what they’re talking about. If you’re not already banging your head, a track like this will gladly bang it for you.’
I’m starting to think that poolboi blu has an endless supply of tracks in the chamber, and he is basically just sitting on projects while the rest of us are drumming up ideas. In the midst of dropping multiple projects in the past 18 or so months, working with artists like SiCk tHots, dropping s i n c e r e RADIOmixes and selling beats, poolboi is also adding to his own catalog continuously. The latest track, Judas, plays like a spell he is casting on the listener, with his chant-like verse echoing personal reflection and dropping metaphors on separating from the pack. The track is currently up on streaming site, so check it out, throw it on some playlists and share it with your friends!
Austin-based producer BoomBaptist carved a name for himself during the first decade of the 2000s via events like Exploded Drawing and Applied Pressure, as well as a slew of solo singles, a few projects and a large retrospective of early beatworks. As the 2010s rolled into view, however, BoomBaptist transitioned into other avenues of expression, including producing for others, running his own business and starting the recently successful funk outfit The Vapor Caves. It shouldn’t be surprising, then, that as the 2020s present themselves, BoomBaptist would make another transition, and this go-round, he’s back on the solo tip and preparing to release a new album via (iN)Sect Records titled Boom Shakalaka, an ode to his love for basketball. To test the waters, he’s dropped an initial single, Razzle Dazzle, which due to the unfortunate timing of the Coronavirus and the suspension of the NBA season, landed him immediate recognition from the likes of CNN. Check out the track, donate a buck if you can, share it around for everyone you know, and stay tuned for more singles and the album release!
The work ethic of Grid Squid Entertainment is extremely admirable, as the group has continued over the years to grow as a team, as solo artists, and even in small collective pockets between themselves or with the involvement of those outside the core. The latter designation is where StereoFiend lands, which features Grid Squid members SymmaTree and Joy, with the live backing of bassist Mike Deosdade, guitarist Tristan Bulgrin, drummer Mike Lenoir and keyboardist Joshua D. McGoldrick. The group has been making noise in the central Texas area for the past half a decade or so, and after the 2016 release of Urge & Grit and the subsequent years of live shows, the growth in all aspects resonates perfectly with Concerns & Doubts. SymmaTree‘s signature flow and voice sit deeply in the pocket, Joy‘s confidence as a vocalist continues to grow, and the musicians are given room to express their talent. Take a dive into this project and get to know the group better, donate if you can, and share this one around with your friends.
After releasing the aptly named Impressive Hate Poems, Mad1ne has enlisted the help of Sol Cinematics to drop the first music video for the project, Dusty. This one is reminiscent of the 1990s hip-hop music videos that made me love the culture, where a black and white filter and grounded, gritty locations allow those with flow to address viewers directly and do what they do best. A couple of cameo appearances can be found in the run of the video as well. Mad1ne has always held it down for that era, and over the years, his work just keeps getting stronger and stronger, and this video continues the trajectory in the right direction. Check this one out, leave a like and a comment, and share it around so those numbers can rise!
Moodie Black is about to knock the dust off of 2020, and if Jesus Bound (the first single from their upcoming Fake Four release Fuzz) is any indication, their going to do it with a sense of urgency and immediacy that the era has not only created, but demands. K is no stranger to confrontation, and with hip-hop already being a firestorm of a breeding ground for transforming turmoil into art, it comes as no surprise to me that Jesus Bound plays as her unapologetic clapback to all the real-life and social media misgendering and misidentification of her art. Add to that her penchant for stark and striking visuals, and it makes sense that Dead End Hip Hop would jump at the opportunity to premier the video, hopefully allowing avenues of discussion to open up as a result. I’ll be ready for when Fuzz drops at the end of March, and if you’re smart, you’ll keep your eyes and ears open as well.
In the wake of the members of Space Camp Death Squad putting the group on hiatus, each individual member has made a noticeable transition. Protextor dropped a genre-blending album and is helping to run a successful YouTube channel, Doc Brown has found success on stage and behind the camera, and thankfully for us hip-hop heads, Secret Levels has continued to drop hip-hop projects while embracing vinyl DJng. Recently, Secret Levels has continued their musical momentum with Oh Well Whatever, a blistering six song EP that is a clinic in style exploration and spitting with confidence. The ideas are well thought out, polished and well executed, and the beats are all standout selections, flowing well from track to track. This is their first project to hit the broader streaming world, so don’t sleep on Secret Levels… seek them out on your favorite streaming service or digital storefront, and encourage others to do the same!
Over the years, it seems as if Kydd Jones has found ways to continually reinvent himself and his sound without sacrificing a core sense of who he is as both an artist and an individual. Be it about bars, a vibe, or a combination of the two, I find myself surprised time and time again by his range and dynamic ability as an artist. This time around, with the help of fellow Austin fixture Y2, has unleashed a beast of a single with Steel Toe. Over a track that is deceptively strong despite its bare bones, drum and piano-heavy nature, Kydd and Y2 drop two very different but equally strong verses full of low-key self-props and statements of personal facts, as well as observations on the state of hip-hop and the culture in general. Like many of his latest tracks, this one will definitely find itself in heavy rotation. Check it out, share it around, and cop it if you’ve got a buck to spare.