Entitlement is a dangerous thing, especially when a previously (minimally) disenfranchised but persistent group finds new validation in the leader of the free world. Speaking about institutionalized racism, unbalanced power structures and the pervasiveness of the victim complex can be an uncomfortable topic, but it’s a topic that can no longer be ignored. Thankfully, Protextor has the wherewithal to not only speak honestly from his perspective, but the foresight and common decency to invite an artist like Doc Brown to share his perspective as well… while the two have a long history of collaboration and a few key similarities in taste, their backgrounds and experience in the world could not be more different, which makes their synergy that much more palatable. It doesn’t hurt, either, that the prolific Bird Peterson lent his production skills to the track, turning it from a heavy dose of medicine to an eye-opening and perspective shifting banger. Stream this, cop this while it’s at a variable price point, and pass it around for others to listen, and in turn, grow from it.
As a longtime supporter, peer and fan of Bird Peterson, I would’ve been happy if he kept to the release schedule for projects it seemed he was establishing… after a flurry of mixes and remix projects, Plume dropped in 2015. Four years later, the stellar Infinity Molasses was released. Based on this pattern, I was set on Bird Peterson until the mid-2020s. Yet, here we are, nine months after Infinity Molasses, and Bird Peterson has yet again raised the bar with I Am What You Am I Am. Between the solid production (a Bird Peterson signature), the Bleubird guest feature and the litany of vocal samples, Bird is entering the realm inhabited by producers like DJ Shadow and Cut Chemist. To put it plain and simple, don’t sleep on this album, as it has made a clear-cut case for album of the year right out of the gate. Check it out, support if you can, and share it around regardless.
Austin-based record label Cream Dream Records, the collective brainchild of standout artists Bird Peterson and BoomBaptist, has been making a push for the ages in 2020. After using the label as a foundation for a solid run of Bird Peterson releases, the new year finds the roster expanding, and one of the promising additions is King Khary. His debut single, the hypnotic Stuck Off The Realness, uses a familiar sample from Prodigy of Mobb Deep as the main vocal element, but the lush and inspirational instrumental he surrounds the sample with re-contextualizes said ‘realness’ into a thing of beauty rather than a celebration of grittiness. Based on this small sample size, I can only imagine the sonic landscapes that King Khary has in store for us.
Yadira Brown of The Vapor Caves, with production assistance from Bird Peterson, has made yet another track relevant to the times that speaks for itself. Thank you both for sharing Better Than This with us.
The Vapor Caves are a group with some weight behind the name already, and they have a penchant for getting their already on-point songs remixed, so why not grab another giant like Bird Peterson to get involved? That, my friends, is exactly what happened for Hurry Up and Wait, and needles to say, Bird Peterson came through. His drum and bass approach amps up the BPMs, but it somehow manages to let Yadira Brown‘s vocals (and the vocoder work of BoomBaptist) really stretch their legs and move around within the high energy track. The collective even put together a quick promo clip for fun :
Check out the video and track, share them around, leave a like and a comment on the video, and definitely cop that track if you have an extra digital buck or two laying around!
After two successful Halloween live performances at the Alamo Drafthouse Ritz theater in Austin, Bird (Peterson) has finally released his critically acclaimed version of the classic genre definer Night Of The Living Dead featuring his new original score. Inspired by 80s horror and post-modern classical composers, the “driving synth filled” new soundtrack creates “an ongoing, rising pulse that brings out the natural anxiety of the film”. The full soundtrack is also now streaming everywhere and available for sale from Teenage Riot Records.
Bird Peterson is officially in full rollout mode for the upcoming Infinity Molasses. My man has been dropping singles like crazy, the latest being the super catchy Conflict Resolution. The track is the standard, infectious Bird Peterson mix of dope drums, textured samples and a few hilarious soundbites. For vocal duties, he’s enlisted the help of Florida underground legends BLEUBIRD and Jabrjaw to match the track energy, and all parties involved more than stand up to the challenge. It’s nice to hear tracks that defy genre classification in this manner, as this song could easily get play in both dance clubs and hip hop circles without anyone batting an eye or questioning the placement. With the sneak previews we’ve been given thus far, I must say that my anticipation for Infinity Molasses continues to grow and grow.
As mentioned recently, Bird Peterson has been excelling above and beyond these days. Aside from his upcoming release, he recently dropped by Serato HQ to drop a mix set for the masses. As usual, his mix is on point, his track selection is solid, and his sense of humor is on full display. Definitely check this one out, give it a spin, and throw a like or comment Bird‘s way!
Bird Peterson is the man right now… there appears to be no end in sight to his continual rise and his constant stream of quality output. Bird recently announced the upcoming release of his new album Infinity Molasses, and to put a ripple in the waters so that waves can be created, he’s dropped the single Floor Shaker. Bird‘s production sets the table for Shack Baker to lyrically serve the listeners, then Bird jumps back in and builds up the track to a wonderful release, allowing Shack to show us the way out and back to our everyday lives. If Floor Shaker is an indication of what Infinity Molasses will be, I think I’m ready for the ride.
Woah. Bird Peterson and Mike 2600, collectively known as Meal Ticket, have just put out what can be described as a mindf#ck of a music video with The Big One. I’m not going to ramble on about it, because words will not do it justice. Trust me, just hit play on this one. Then hit like. Then hit share. If you’re not completely speechless, leave a comment. Who knows? Maybe that will inspire more of this beautifully brilliant wildness.